{"id":1317,"date":"2021-11-21T15:14:19","date_gmt":"2021-11-21T15:14:19","guid":{"rendered":"https:\/\/emanuelenargi.com\/index.php\/about\/"},"modified":"2025-03-17T22:04:10","modified_gmt":"2025-03-17T22:04:10","slug":"biography","status":"publish","type":"page","link":"https:\/\/emanuelenargi.com\/index.php\/biography\/","title":{"rendered":"BIOGRAPHY"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

EMANUELE NARGI<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Photo: Natacha Elmir\u200b\u200b<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00a0 \u00a0 \u00a0 \u00a0I have worked in the arts and education with a background in theatre all my professional life. I have found myself consistently engaged at the intersection of theatre and participation.<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0 \u00a0 \u00a0This experience has given me the skills to understand in-depth several aspects of the performer\u2019s techniques, training, the interaction with the audience, and how to build participatory performances. I believe in making work which gives to the audience the possibility to have strong aesthetical\u00a0<\/span>experiences.<\/span><\/span><\/p>

\u00a0 \u00a0 \u00a0<\/span><\/p>

\u00a0 \u00a0 I have been working as a director, performer, trainer and consultant since 1997. Check out my background and experience below.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CURRENTLY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Director, trainer, consultant, artist<\/strong>
<\/p>\n

specialised in Physical Theatre,<\/p>\n

Immersive Theatre,<\/p>\n

Site-Specific performances,<\/p>\n

Intercultural Exchange,<\/p>\n

Social Theatre<\/p>\n

—<\/p>\n

Co-Director<\/strong><\/p>\n

INCA Teatro<\/p>\n

www.incateatro.com<\/a><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

EDUCATION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Physical and Word Theatre at Centro Danza M. Testa<\/strong> <\/span><\/p>

Rome, Italy<\/em><\/span><\/p>

\u00a0<\/em><\/span><\/p>

BA Performing Arts and the Science of Performance<\/strong><\/p>

Universit\u00e1 La Sapienza of Rome, Italy<\/span><\/em><\/p>

\u00a0<\/span><\/em><\/p>

MA in Performance Making<\/strong><\/p>

Goldsmiths, University of London, UK<\/span><\/em><\/p>

\u00a0<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

TRAINING and WORKSHOPS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

I have been trained in theatre through seminars and workshops with:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Julia Varley<\/strong> and <\/span>Eugenio Barba<\/strong> from the Odin Teatret (Denmark)<\/span><\/p>

Jairo Cuesta<\/strong> of the New World Performance Laboratory (USA)<\/span><\/p>

Jean Laurent Sasportes<\/strong> (Tanztheater Wuppertal, Germany)<\/p>

Margit Martinu<\/strong> (The Gurdjieff Movements, Italy)<\/p>

Maud Robart<\/strong> (Haiti \/ France)<\/p>

Augusto Omol\u00f9<\/strong> (Brazil)<\/span><\/p>

Franco Acquaviva<\/strong> of the \u201cPonte dei Venti\u201d (IT)<\/span><\/p>

Judith Malina, Gary Bracket<\/strong> (Living Theatre, USA-IT)<\/span><\/p>

Jurai Saleri<\/strong> (light and stage technician, Italy)<\/span><\/p>

Hal Yamanouchi<\/strong> (physical theatre and Butoh, Japan)<\/span><\/p>

Gennadi Bogdanov<\/strong> (Biomechanics, Russia)<\/span><\/p>

Punchdrunk<\/b> Master Class (UK)<\/span><\/p>

Shivagakomarapaj The Old medicine Hospital (Thailand)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Photo: Federico Michettoni<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
INCA ARTS SPACE, London, 2012<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00a0 \u00a0I earned my degree from the University of Rome La Sapienza, where I developed a strong interest in how audiences and performers interacted. This made me realise the importance of setting clear goals in our work.<\/p>

\u00a0<\/p>

\u00a0 \u00a0 \u00a0Because of my passion for this topic, I decided to focus my undergraduate thesis on Grotowski’s techniques. After that, I went on to do a Master’s degree in Performance Making at Goldsmiths, University of London, which deepened my knowledge in this area.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

   <\/span> I have worked<\/span> in projects <\/span>funded by the British Council, the EU, the Arts Council and national institutions in more than 20 countries.<\/span><\/p>\n

     <\/span><\/p>\n

 Furthermore, I have investigated different immersive theatre forms, which has given me the skills necessary to plan a performance for an audience based on intimate interactions. <\/span> I created productions (mentioned below) – as director, performer, dramaturg.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Photo: Urban Studio, Belgrade, 2014<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Photo: INCA Lithuania, \"Journeys\", Kaunas, 2019<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2019\/2023 Barcelona, Open Doors | director – <\/strong>click here<\/em><\/i><\/span><\/a><\/p>

2021 Rome, The Banquet | director – <\/strong>\u00a0click here<\/em><\/span><\/a><\/p>

2019 Kaunas, Journeys, performer – <\/strong>click here<\/em><\/span><\/a><\/p>

2019 Madrid, ACAB | director<\/strong><\/span><\/p>

2018 Barcelona, El hilo de Ariadna | performer<\/strong><\/span><\/p>

2017 Madrid, Bajo Llave; Immersive Experience | director<\/strong><\/span><\/p>

2016 Bucharest, Invisible Citizens | director<\/strong><\/span><\/p>

2015 Rome, \u201cAugenblick \u2013 L\u2019istante del possibile\u201d | actor<\/strong><\/span><\/p>

2014 Belgrade, The egg | director\u00a0<\/strong><\/span><\/p>

2014 London, P45 | director<\/strong><\/span><\/p>

2014 London, Ship of Fools | director<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Photo: Natacha Elmir\u200b\u200b<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00a0<\/p>

I invite you to see other pages dedicated to my previous works in:<\/p>

\u00a0<\/p>

\u00a0<\/p>

training & education <\/strong><\/a><\/p>

click here<\/em><\/a><\/p>

\u00a0<\/p>

theatre & performance<\/strong><\/a><\/p>

click here<\/em><\/a><\/p>

\u00a0<\/p>

consultancy & project managment<\/a><\/strong><\/p>

click here<\/a><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

EMANUELE NARGI Photo: Natacha Elmir\u200b\u200b \u00a0 \u00a0 \u00a0 \u00a0I have worked in the arts and education with a background in theatre all my professional life. I have found myself consistently engaged at the intersection of theatre and participation. \u00a0 \u00a0 \u00a0 \u00a0This experience has given me the skills to understand in-depth several aspects of the …<\/p>\n

BIOGRAPHY<\/span> Read More »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","footnotes":""},"class_list":["post-1317","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/emanuelenargi.com\/index.php\/wp-json\/wp\/v2\/pages\/1317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emanuelenargi.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/emanuelenargi.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/emanuelenargi.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/emanuelenargi.com\/index.php\/wp-json\/wp\/v2\/comments?post=1317"}],"version-history":[{"count":1562,"href":"https:\/\/emanuelenargi.com\/index.php\/wp-json\/wp\/v2\/pages\/1317\/revisions"}],"predecessor-version":[{"id":10826,"href":"https:\/\/emanuelenargi.com\/index.php\/wp-json\/wp\/v2\/pages\/1317\/revisions\/10826"}],"wp:attachment":[{"href":"https:\/\/emanuelenargi.com\/index.php\/wp-json\/wp\/v2\/media?parent=1317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}